





these are a handful of the final images
1. In what ways do you “construct” your identity? In what ways do you “perform” in your daily life?
I think people construct their identities by choosing things that they are familiar with or like and make it part of who they are. For example a person grows up in a certain area like Michigan and then because they know that area they connect themselves to that area by calling themselves Michiganders. Although they do not need to make it part of their identity. They then perform that construction by tell other people that they are from there or describe themselves through reference to that area.
2. Describe some ways in which your personal culture and social environments are “constructed”.
I would say that my social and cultural environments are constructed in a similar way to my identity. In fact the social and cultural environments are those things which help construct my identity. They are constructed by other people as well though. They connect me to other people as well.
3. Describe some ways in which your physical environment/space is “constructed”.
My physical space is constructed through the actual movement of materials and space. Things are moved around, purchased, organized to make a familiar space. Which I am then able to make apart of my identity and social construction.
“We therefore consume images fleetingly and randomly. It takes very special pictures to grasp and hold our attention. We need to be seduced by images that outdo reality through excessiveness—as in advertising and movies” (Constructed Realities: The Art of Staged Photography Edited by Michael Kohler). What do you think about this quote? How do you think that our lives are changing as the speed of our interaction with photographic images grows?
I think that at this point in time that to catch peoples attention we need to produce photographs that are excessive and over the top. However for photographs that are there for us to appreciate and enjoy we make photographs that are expressive and reflect the artist ambition. We then are able to appreciate the photographs for a lifetime not a moment.
“But the term ‘Infotainment’ also implies this: with the gradual fictionalization of even the news, the old categorical oppositions of ‘documenting’ and ‘staging’, appearance and reality gradually dissolve. They are being replaced by a variety of hybrid forms for which it will be impossible, in fact pointless, to attempt to distinguish between fact and fiction. Even the accusation that ‘Infotainment’ is guilty of continuous ‘lying’ is therefore unjustified, for it is neither ‘true’ nor ‘false’. Like advertising, movies and all other genres that adhere to the laws of fiction, it works at a level beyond these oppositions—the level of ‘hyper-reality’, where reality is ‘simulated’.” (Constructed Realities: The Art of Staged Photography Edited by Michael Kohler). What are your thoughts on “Infotainment” and how it affects our lives? How does it affect the way we see and understand “reality”? How does it affect photography in general?
I think that infotainment is a interesting topic. With information updated at every last second, we live in a world where reality is stranger than fiction. Every last detail is reported and available for people to hear and interpret, infotainment is a real part of our lives. I think it affects my photography in a way that is related to the way that my generation thinks. We live in a world of facebook and twitter. Where we know everything about what is going on in the world and what is going on with all our friends.




“I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways.” Duane Michals
I think this quotation is a correct statement, the majority of photographs taken are just reproductions of how a person looks. But I think successful photographs are the ones that make people look in a way that no one has seen them before.
“I believe in the imagination. What I cannot see is infinitely more important than what I can see.” Duane Michals
An interesting statement. I think as a photographer it is a great responsibility and challenge to be able make our imaginations part of reality for other to be able to observe.
“Landscape photography is the supreme test of the photographer—and often the supreme disappointment.” ~Ansel Adams
I can think of no greater challenge than to make landscape photographs. You can only photograph what is found. Other photographers have set such high standards. To make photographs in a new way that have not already been photographed is a big challenge. When we do not measure up, which I think is often, we will be disappointed.
“Photography can only represent the present. Once photographed, the subject becomes part of the past.” Berenice Abbott
An interesting statement. Photography is very much about the moment. But everything moves to the past as soon as we reach it. The purpose of photography to me is being able to capture that moment that is now in the past and take it into the future.
#11____Memory of a Place: Try to imagine a place from your past. Do you have pictures of this place? Describe this place as you remember it. What might a photograph look like of this place if you were to go back and photograph it? What would it look like in the past? What would it look like to you today? Where are you standing in this place? What other items are in this place? What colors do you see? Are there other people or are you alone? Make a “written photograph” of this place using words/description.
A place that I would like to describe to you is the peak district in South Yorkshire of England. I have pictures of it. Everything is a very bright green color. And the hills seem to go on forever and ever. I think the place has looked the same for many many years and will continue to look that way for a long long time. In the photograph I am standing in the front of the image with the beautiful surroundings behind me. There is a large lake crystal clear and beautiful.
#12____Memory of a Photograph: Which photograph from your past do you remember most? Describe this photograph. Describe how it makes you feel when you remember/think about this photograph. How have you changed? How has the place in this photograph changed? What would a reenactment of this photograph look like? Would you act or look differently if you reenacted this scene today?
A photograph that I have a good memory of is when I was in New York City with my two best friends and my wife. We were in soho in a sunglasses shop and I took a photo of them trying on photographs. I think that the people in photograph would have changed a little bit and the store would definitely have different sunglasses. I think that a reenactment would be a really fun. We could really make the photograph even more fun and exciting. In the actual photograph it is pretty fun and exciting.
#13____Human-Made Space: In the past, photographers who were interested in how humans impacted the natural landscape grouped together to form the New Topographics. “"New Topographics" signaled the emergence of a new photographic approach to landscape: romanticization gave way to cooler appraisal, focused on the everyday built environment and more attuned to conceptual concerns of the broader art field.” http://www.lacma.org/art/ExhibTopo.aspx
In addition, at the same time in history artists created (and still do create) “land art” in which they use materials found in the landscape to make sculptures that remain in the landscape. Many of these works now only exist as video recordings and photographic documents.
Pay attention to the number of ways in which you encounter humans’ interaction with nature and the physical land. Write these down. Using these as inspiration, describe an idea for a piece of “land art” that you might create that would be documented by a photograph. Describe an idea for a piece of “land art” that you might make in a man-made landscape that would be documented by a photograph.
I think what could be really interesting is to take a piece of land that has been strip mined and then alter it making it a city or livable environment. I think it would be interesting to see how homes would be formed, roads and bridges would be integrated and and natural habitat could be reintroduced.
#14____Unknown vs. Familiar Space: When photography was invented, it became a way to document and reveal the specific aspects of both familiar and faraway places. Imagine a familiar place. Imagine a faraway place. How would you use photographs to convey the difference? Can you imagine any places that have been “touched” very little by humans? How might you photograph them?
I think some of the only places that have been touched very little by humans would be under water in the oceans and outer space. I think that I would try and photograph the expanse of their space and how large and grand they are.

Student- East Lansing, Mi
This first photograph was the second taken of the three. It is my favorite because it was more of less the most experimental of the three. I was trying to make the photograph seem as if it was taken with a disposable camera at a party or a night scene. I also wanted to try and make the photograph similar to the Ray Ban "Never Hide" campaign. I used a second light along with the flash to make a pattern of reflection in the sunglasses. I think that the photograph is more or less successful, either way it is my favorite of the three.
This last photo was the first of the three photos taken. It was a found scene on the MSU campus. I thought it was an interesting scene to photography simply because of the contrast of color of the cones compared to the rest of the scenery. It was a good opportunity for me to edit in photo shop and learn some good basics for later.“Photography deals exquisitely with appearances, but nothing is what it appears to be.” ~Duane Michals. Do you agree or disagree with this quote? Why?
Photography can be literal or it can be made up. It doesn't have to be either, but what is important is that the creator can make the photo to be whatever he wants it to be. The creator has the ability to make the appearances nothing what they appear to be.
